In December 2010, Milton and I had the great good fortune to see Untitled Feminist Multimedia Technology Show, a work-in-progress by one of our favorite playwrights, Young Jean Lee. Then, she staged this show for four days at the New Museum. When I wrote that post about this show in its infancy, I said:
“ … Young Jean’s work remains as original, challenging and edgy as ever. Her subjects range from religion (Church), race (The Shipment), her take on Shakespeare’s King Lear (Lear), to now, feminism. I am certain that she could create a theater piece around a can opener and we would find it provocative.”
Fast forward to the present. She has reworked Untitled Feminist Multimedia Technology Show, retooled the multimedia and the technology, and renamed it Untitled Feminist Show. In his review, The New York Times theater critic, Christopher Isherwood surmised YJL best, “…hands down, [she’s] the most adventurous downtown playwright of her generation.”
Another thing about Young Jean Lee’s revision of this show, she has cut out all the dialogue, prompting Milton to observe:
Milton: Words get people to a familiar place quickly.
Me: Yes, especially when they ask for directions.
For a playwright, foregoing text either takes nerve or it is a sure sign of insanity. Whatever it is, guts or nuts, having seen this show in its work-in-progress state 13 months ago and having seen it again where it is currently playing at the Baryshnikov Arts Center on West 37th Street as part of the Coil festival through February 4, it works.
At times, brilliantly.
Overall it was a fascinating hour of song, dance, ribald and dramatic vignettes. The first song was sung by Regina Rocke in monosyllabic (we’ll never feel the same way about, “la, la, la” again), another song was sung by Amelia Zirin-Brown aka Lady Rizo in ethereal fluent gibberish, and a third I don’t know what to call it, but it was a riveting solo piece performed by Becca Blackwell that is a roller coaster ride of theatrical posturing and emoting.
Did I mention that all six performers, including the burlesque artist The World Famous *BOB*, Hilary Clark, and Katy Pyle are naked throughout in this elaborately choreographed show performed on a bare stage under a rectangle shaped screen projecting video imagery? Their only props are frilly pink parasols.
The six performers are comprised of women with real looking bodies, a few large, a few lean, a few average – nothing like the airbrushed and unattainable perfection of women on starvation diets that fill fashion or girly magazines. Every woman on that stage moved with joyous abandon but zaftig Hilary Clark had us both reaching for the Aleve afterward when she violently flailed her hair and entire body at the audience to the cacophonous sound of heavy metal music. Even though we knew what we were in for, and it featured most of the same performers then as now, getting over the initial shock of seeing the entire cast naked as they slowly descended the side staircases book ending the audience while emitting eerie rhythmic breathing, took a beat, but we again quickly grew immune to their nudity. The explicit nudity is not what we considered erotic, but a very honest depiction of very talented women, most with very ordinary bodies, doing very extraordinary movement. We were impressed. Faye Driscoll, Morgan Gould, and Young Jean Lee collaborated with the cast on the choreography. What was most jarring was seeing the actors clothed at curtain call.
Milton and I did not fully grasp what was so feminist about this show, but we were enthralled from start to finish. In the program notes, written by Young Jean Lee, she states, “Rather than trying to define feminism, say something new about it, or make a feminist argument, we wanted to create a utopian feminist experience. Our goal was to inspire rather than prescribe.”
Inspire she did!
This show inspired me to weigh myself for the first time since last summer.
I now weigh ten pounds more than a decade ago when I had dental coverage, not that I’m implying that I’m now carrying ten pounds of plaque on my teeth.
This show also inspired me to look at myself naked.
It also inspired me to re-cloth myself. Fast.











































































































